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” The Spirit of a Woman ” Kirsten Owen and Erin O’Connor by Peter Lindbergh for Donna Karan SS 1999

power lines, kristen mcmenamy by mario sorrenti for harpers & queen november 1993

dries van noten, spring 2012

nicoletime:

Farmer’s Kasuri Vest

ALEXANDER WANG FW 2008

4doors:

(by hopefuldoubtful)

hellanne:

Arctic Sea near Greenland (by Olof S)

7while23:

Mary McCartney (photographer) backstage at Giles Deacon Show

horreure:

In the year of 1997 Margiela used an old Stockman tailor’s dummy as the source of inspiration for two consecutive semi-couture collections. He chose to predominately focus on the array of elements that drew attention to the production process and its consequent stages. For example, the sections of a toile were permanently pinned to the bust as part of a jacket. Other jackets assumed a masculine shoulder line, with the inside of the prototype reinstated with a second structure and with a feminine shoulder line. Disregarding the sleeves exposed both the masculine and the feminine tailoring. The inside became the outside as shoulder pads were occasionally placed on the exterior of the garment or used as a disconnected accessory. Another feature in the collection/s was a label that read, “Toile of a garment after its first fitting: all rectification marks and faults remain apparent”.

nickgerber:

Sunset Gradient III